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Original Treatises, Dating from the XIIth to the XVIIIth Centuries, [o]n the Arts of Painting ...

 By Mary Philadelphia Merrifield

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By Mary Philadelphia
Merrifield
Published 1849
John Murray, Albemarle
Street
918 pages
Original from Oxford University
Digitized Jan 17, 2007
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Original Treatises, Dating from the XIIth to the XVIIIth Centuries, [o]n the Arts of Painting ...

Original Treatises, Dating from the XIIth to the XVIIIth Centuries, [o]n the Arts of Painting ...

by Mary Philadelphia Merrifield - 1849 - 918 pages
Pagination is continuous. - With errata.
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Places mentioned in this book

Istria - Page 666
Pulverize verdigris, sal ammoniac, and galls of Istria, and put the powder into strong vinegar, and.
more pages: 658 676
Bologna - Page 850
At first sight it might! be sup[K>sed he had been educated at Bologna, or rather at Rome. Lan says he was never out of Venice, but Meschini ยป proves ...
more pages: 325 327 328 329 330 339 660 903 910
Venice - Page 883
he would characterize that of Venice by merely indicating its singular property of corroding all paintings in a very short space of time. ...
more pages: 604 750 845 847 848 850 851 866 872 897
Pesaro - Page 335
Passeri also (Storia delle Pitture in Majolica fatte in Pesaro e ne' luoghi circonvi-cini) attributes the invention of this art to Luca ; others, ...
more pages: 337 338
Damascus - Page 335
The colour with which the vases of Majolica and Damascus were painted is also described. These vases were known in Italy in the beginning of the ...
more pages: 327 376 540 903
Tripoli - Page 696
be rubbed very softly with goatskin and with Tripoli powder and oil, when it will be done ; but I warn you that you must follow the recipe exactly. ...
more pages: 712
Padova - Page 850
1 Meschini, della Origine e delle Vicende della Pittura in Padova, p.
Rome - Page 850
It is related " that the Venetian ambassador at Rome, having propt to Maratti to paint a picture for the Sala del Scrutinio, he refused the i ployment ...
more pages: 339 604 605 606 790 905 910
Salerno - Page 605
In this recipe it was recommended to mix the blue pigments employed in fresco painting with milk ; and as A ndrea di Salerno worked with Raffaello, ...
Naples - Page 605
605 Unless, therefore, it can be shown that this recipe was written in the kingdom of Naples, we must suppose that it was written a short time ...
more pages: 905 910
Florence - Page 605
time resided at Florence, where he decorated the alace and the Chapel of S. Lorenzo. Giovanni died in 1561, or 1564.2 This recipe was communicated by ...
more pages: 335 554 604 606 904 906 910
Paris - Page 759
in oil must be considered as indications of the practice of this art in France, or rather at Paris, during the middle of the seventeenth century. ...
more pages: 698 725 830 847 896 898
Genoa - Page 897
At Genoa and Venice goods were weighed either by the peso grosso or the peso sottile. The latter was used for weighing gold, silver, and valu-able ...
Milan - Page 846
Fidanza as having practised this art all his lifetime ; and when I saw him he had been engaged in this employment at Milan for thirty-six years. ...
more pages: 909
Amsterdam - Page 897
100 pounds of the peso sottile of Venice were equal to Gli'tlis commercial pounds of Amsterdam. 100 pounds of the peso grosso = 94'ths of the same ...
Vienna - Page 846
This permission was refused ; but the autho-rities at Vienna, to whom the MS. had been submitted, directed that a copy of it should be made and ...
Rouen - Page 896
At Paris it contained 16 oz.; at Lyons 14 ; at Toulouse and in Provence UH oz. ; and at Rouen 16 J oz. and |ths of the Paris weight. ...
Gradina - Page 907
Gradina, xxviii Grana, 692, 702, 806. See Kermes da Tentori, clxxiv, cccxi 11 Granetus, 28 Granza. See Madder Grapes, Chinese, to extract a colour ...
London - Page 544
1 The word is frequently used by Benvenuto Cellini, who writes it " ciorbatana." Florio (Diet., Ital. and Eng., London, 1598) defines it to.
York - Page 906
York and Lincoln ca-thedrals, Ixxvii ; present of from the Queen of England, in 1153, to the Countess of Braine, ili. ; in the Abbey of S. ...
Cologne - Page 902
Cologne earth, cxxxvi, cxl, ccxxii, ccxcv Colophony, ccxlviii, celi Colore Cardinalesco, 327, 452, 454 n Column* Colore aureo Lombardico, 19? n ...
Marseilles - Page 909
Marseilles, early commerce of, xxiii, cxvi, cxxi; famous for its dyes, cxxi Martino di Giorgio da Mo- dena, xxxi Marzachotta, 335, 536, 537 ...
Udine - Page 914
Udine, 638 and'n. Succinum, ccliv. Succus Sambucis, 36. Succus, 35 and n. herbarnm, 36 Sulphate of zinc, 620. See. Dryers. Sulphur, CXXT ...
Lumina - Page 909
Lumina, 30, 314 Lunardo, Ixii Lustro di rasa, 696 Lutecium Belgicum, clix cix Napolitanum, clU, Roma;, clix Liitum Sapiential, 386 u M. ...
Lombardia - Page 422
and incorporate them well together until the colour becomes a fine green ; let it dry in the shade, and dis-. 1 Probably azzurro de Lombardia, ...
more pages: 349